The Organic Infinite Positive Feedback Circuit Loop, Version 4
Octaves in the Universe, Pythagorean Harmonics and Circle of Fifths and Frequency
Octaves and Vibration
https://www.facebook.com/BigThinkdotcom/videos/10155039145308527/
Circle of Fifths
Circuits
Over the last 17 years, scientists and engineers have developed synthetic gene circuits that can program the functionality, performance, and behavior of living cells. Analogous to integrated circuits that underlie myriad electronic products, engineered gene circuits can be used to generate defined dynamics, rewire endogenous networks, sense environmental stimuli, and produce valuable biomolecules.
Read more at: https://phys.org/…/2017-09-team-gene-circuit-strategy-advan…
Pythagorean Harmonics and Circle of Fifths sync in 4 days
Wheel of 60: Harmonic 1111 and Harmonic 6666 and The Circle of 5ths.
Jain’s Realization on the 60 Code of the Fibonacci Last Digits.
Revelation of Harmonic 1111 and Harmonic 6666
I decided to create a mural of the Infinitely Repeating 60 Pattern found in the Last or Final Digits of the famous and fabulous Fibonacci Sequence.
It was, and still is being painted, muralized on a large recycled 1m diameter wooden table top, and painted with oil paints.
To get this 60 Pattern, consider that you are continuously subtracting the Number 10 from the Fibonacci Number, like 21, so 21 would be 21 less 10 is 11 and less 10 again is 1, but it is simpler to just observe and write down the last digit of that Fib No 21 which is 1.
In the pencil outline of my mural, starting from the top north point and going clockwise, you can just see the 60 numbers in the Repeat Cycle are:
0, 1, 1, 2, 3, 5, 8, 3, 1, 4, 5, 9, 4, 3, 7, 0, 7, 7, 4, 1, 5, 6, 1, 7, 8, 5, 3, 8, 1, 9,
0, 9, 9, 8, 7, 5, 2, 7, 9, 6, 5, 1, 6, 7, 3, 0, 3, 3, 6, 9, 5, 4, 9, 3, 2, 5, 7, 2, 9, 1
Notice, all the vertical columns, all sum to 10
eg. 1+9= 10 and 2+8= 10 etc
but when this is done in a circular fashion, as The Wheel of 60
you will observe that any 2 opposing numbers on this Wheel, and passing through the Centre, have a sum of 10.
You will also see that the “Zeroes” in the sequence align perfectly with the 4 cardinal points on a compass. We can call this The Cross of Zeroes.
Did You Know? that every 5th Number is divisible by 5, quite amazing, so to make this apparent, I painted 12 Golden Rays to highlight this Circle of 5ths.
I then observed that in-between these 12 Rays, were partitions of 4 numbers like (1, 1, 2, 3) and (5, 8, 3, 1) etc so I mused what if I considered these 12 sets of 4 Numbers as actual numerical entities, so (1, 1, 2, 3) is fancifully the number 1,123 and (5, 8, 3, 1) is 5,831. Since I was fasting at the time, my intuition was high, and I just knew that there was lurking an incredible and obvious symmetry or intelligent pattern amidst these “Quad Numbers”
I decided to add up all the quad sets of numbers between the zeroes and the fives. The 60-Code Quad Numbers, being
1,123 + 8,314 + 9,437 + 7,741 + 6,178 + 3,819 +
9,987 + 2,796 + 1,673 + 3,369 + 4,932 + 7,291
I decided to add them all up, so I got out my calculator, intuitively knowing that if the 60-Code is really special, there must be a harmonic number that these 12 Quad Numbers would add up, I was guessing around 12 x 5,000, since the numbers range from 1,000 to 9,000 and that 5,000 was a mean number, so 12 x 5,000 was around 60,000.
So lo and behold, when I pushed the final total sum button, the answer was, have a guess, 66,660.
I love these moments, when you have done intense investigation, being driven by hidden forces to reveal something hidden, as if to make Visible, the Invisible. My logical mind said it could add up to around 60,000 because this number contains “60” and this is a “60-Code” but the 4th Dimensional Eye, the Higher Intuition saw and revealed a more surprising number 66,660.
Notice all the pairs of opposing Quad numbers
eg. 1,123 + 9,987 = 11,110.
You can guess from this quad-pair summing to 11,110 that if there are 6 of these type of pairs, then the total sum of all 12 Quad Numbers is simply 6 x 11,110 being 66,660.
We can also give this Quad Sum Pattern a name, based on Harmonic Maths, where you can drop any zeroes, or decimal points or slide the decimal point to the left or right, and focus on the whole numbers, thus it’s name is Harmonic 6666 just by dropping the last zero.
and for the other one, Harmonic 1111.
Jain 108
22-9-2017
Mullumbimby Creek
For more info, check out these 2 Sources from Jain’s Library
1 – The Divine Proportion Workbook, Mathemagics For Juniors
link is http://www.jainmathemagics.com/WorkbookDivineProportion/
2 – The Book Of Phi, Volume 3, The 108 Codes, an Introduction
link is http://www.jainmathemagics.com/bookofphivol3/
ps – This is a mural still in progress, so stay tuned for the final creative touches that will complete this mural, and perhaps for more downloaded insights and grand realizations about this amazing sequence of numbers.
eg. Another author interested in this Code is Lucien Khan and he observed quite wittingly that the 216th Fibonacci Number in this Sequence is
619220451666590135228675387863297874269396512
and if you could bother to add up all the individual digits in that number it adds up to 216.
5 Attachments
MUSIC: Pythagoras and the Twinkling Perfect Fifth
Pythagoras, 2,500BC, the Father of modern day Music,
took the whole length of a string, bridged it at the midpoint,
plucked that half and arrived at the Octave or 1:2.
He examined all the other Ratios of 2:3 and 3:4
and charted the table of Chords and Harmonics.
“All Is Number” is his most famous quote,
which means all is frequency, vibration,
and though we only see the visible and hear the audible,
there are many other dimensions in the invisible and inaudible spectrums.
That is why the ancients scholars believed that size is profane or that it does not matter, but only proportion or ratio or scale is sacred,
(“Logos” originally meant “Proportion”, in ancient Greek, not “Word”
in reference to the biblical quote “In the Beginning was The Word”)
and the ultimate Scale Expansion is the Phi Ratio.
eg: if you divide an octave by a Perfect Fifth, (13/20), you get the golden ratio.
This Perfect Fifth fits in approximately with the Fibonacci Sequence as a 3:2 ratio.
A helpful way to recognize a Perfect Fifth
is to hum the start of “Twinkle, Twinkle Little Star”;
the pitch of the first “twinkle” is the root note and pitch of the second “twinkle” is a perfect fifth above it. That is why we all love it.
Jain 108
MUSIC: Circle of 5ths
There exists a Phi relationship in our musical scale!
It is based on the translation of the fibonacci numbers 2-3-5-8-13
upon the common keys of the piano.
We have 13 notes in the chromatic scale.
There are 8 white keys which also define the movement of the octaves
(7 notes with the 8th one repeating the first).
There are 5 black notes or Semitones partitioned in groups of 2 and 3 neighbouring semitones.
Then, on a more advanced and esoteric level, there are the Fifths,
based on a Circle of 12 tones of the same chromatic scale.
It is a geometrical representation of the relationships among the 12 pitch classes of the chromatic scale.
The Circle of Fifths is a sequence of pitches or key tonalities, represented as a circle,
in which the next pitch is found seven semitones higher than the last.
It is pleasant to the ear, and reveals the hidden symmetry underpinning musical composition,
based on the Mathematics of Beauty: the Fibonacci Numbers.
Jain 108
The musical system known as the Circle of fifths form specific geometries. All matter is a vibration in the structure of space-time and the study of the structure of space is called geometry, therefore music and matter itself is geometry in motion…
Image: Marshall Lefferts: Cosmometry
Nassim Haramein • Sacred Geometry and Ancient Knowledge • The connected universe • Gaiam • Jamie Janover • Unify
MUSIC: Circle of 5ths
There exists a Phi relationship in our musical scale!
It is based on the translation of the fibonacci numbers 2-3-5-8-13
upon the common keys of the piano.
We have 13 notes in the chromatic scale.
There are 8 white keys which also define the movement of the octaves
(7 notes with the 8th one repeating the first).
There are 5 black notes or Semitones partitioned in groups of 2 and 3 neighbouring semitones.
Then, on a more advanced and esoteric level, there are the Fifths,
based on a Circle of 12 tones of the same chromatic scale.
It is a geometrical representation of the relationships among the 12 pitch classes of the chromatic scale.
The Circle of Fifths is a sequence of pitches or key tonalities, represented as a circle,
in which the next pitch is found seven semitones higher than the last.
It is pleasant to the ear, and reveals the hidden symmetry underpinning musical composition,
based on the Mathematics of Beauty: the Fibonacci Numbers.
Jain 108
MUSIC: Pythagoras and the Twinkling Perfect Fifth
Pythagoras, 500BC, the Father of modern day Music,
took the whole length of a string, bridged it at the midpoint,
plucked that half and arrived at the Octave or 1:2.
He examined all the other Ratios of 2:3 and 3:4
and charted the table of Chords and Harmonics.
“All Is Number”
is his most famous quote,
which means all is frequency, vibration,
and though we only see the visible and hear the audible,
there are many other dimensions in the invisible and inaudible spectrums.
That is why the ancients scholars believed that size is profane or that it does not matter,
but only ratio or scale is sacred,
and the ultimate Scale Expansion is the Phi Ratio.
eg: if you divide an octave by a Perfect Fifth, (13/20), you get the golden ratio.
This Perfect Fifth fits in approximately with the Fibonacci Sequence as a 3:2 ratio.
A helpful way to recognize a perfect fifth
is to hum the start of “Twinkle, Twinkle Little Star”;
the pitch of the first “twinkle” is the root note
and pitch of the second “twinkle” is a perfect fifth above it.
That is why we all love it.
Jain 108
Frequency with The Organic Infinite Positive Feedback Circuit Loop, Tesla, Einstein, “All is Number” with Pythagoras, Pythagorean Harmonics, and Circle of Fifths (Frequency spiraling up)
MUSIC: Pythagoras and the Twinkling Perfect Fifth
Pythagoras, 2,500BC, the Father of modern day Music,
took the whole length of a string, bridged it at the midpoint,
plucked that half and arrived at the Octave or 1:2.
He examined all the other Ratios of 2:3 and 3:4
and charted the table of Chords and Harmonics.
“All Is Number” is his most famous quote,
which means all is frequency, vibration,
and though we only see the visible and hear the audible,
there are many other dimensions in the invisible and inaudible spectrums.
That is why the ancients scholars believed that size is profane or that it does not matter, but only proportion or ratio or scale is sacred,
(“Logos” originally meant “Proportion”, in ancient Greek, not “Word”
in reference to the biblical quote “In the Beginning was The Word”)
and the ultimate Scale Expansion is the Phi Ratio.
eg: if you divide an octave by a Perfect Fifth, (13/20), you get the golden ratio.
This Perfect Fifth fits in approximately with the Fibonacci Sequence as a 3:2 ratio.
A helpful way to recognize a Perfect Fifth
is to hum the start of “Twinkle, Twinkle Little Star”;
the pitch of the first “twinkle” is the root note and pitch of the second “twinkle” is a perfect fifth above it. That is why we all love it.
Jain 108
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